She sang Bellezza in Handel's Il Trionfo del Tempo e del Disinganno at the Innsbruck Festival, Cleopatra in Giulio Cesare with the Talens Lyriques and Christophe Rousset at the Bucharest George Enescu Festival, Théâtre des Champs-Elysées and Ambronay Festival. Recent projects have included Merab in Handel’s Saul at the Glyndebourne Festival Opera and Paris Théâtre du Châtelet, Giunone in Cavalli’s Calisto at the Staatsoper München and at the Teatro Real in Madrid. Her extensive discography -over 50 titles -has won her numerous awards, including a “Chamber Music America Award” for her “Fête Galante” disc with pianist Marc-André Hamelin, three Grammy nominations for her recordings with the Boston Early Music Orchestra and several Opus Prizes. She was Lia in Debussy’s L’Enfant prodigue with the Orchestre Philharmonique de Radio France under Mikko Frank, later released on the Erato label. 2 with the San Francisco Symphony Orchestra, under the baton of Michael Tilson Thomas. She sang in Debussy's The Martyrdom of Saint Sebastian and Mahler's Symphony No. Past projects include a European tour and a recording of Handel's Ariodante for EMI Virgin Classics, along with a European tour and a recording of Giulio Cesare, both with Alan Curtis and Il Complesso Barocco. In 2018, she performed in recital at both the Lille Opera and Wigmore Hall. In 2017, she again sang Vitellia at the Théâtre des Champs-Elysées under the baton of Teodor Currentzis and appeared as Duchesse d’Étampes in Camille Saint-Saëns’ long-lost opera Ascanio, conducted by Guillaume Tourniaire at the Grand Théâtre de Genève. She gave a gripping performance of title role in Gluck’s Armide at the Netherlands Opera and Giunone in Cavalli’s Calisto at the Bavarian State Opera. In 2015, she sang a much lauded performance of Vitellia in La Clemenza di Tito at the Théâtre des Champs-Elysées in Paris and Armida in Handel’s Rinaldo at the Glyndebourne Festival. On the recital platform, she has collaborated with pianists Marc-André Hamelin, Angela Hewitt, Michael McMahon, Maciej Pikulski and Roger Vignoles. She has performed under the direction of Charles Dutoit, Michael Tilson Thomas, Michel Plasson, Yannick Nézet-Séguin, Ivor Bolton, Mikko Frank, Teodor Currentzis, Bernard Labadie, Christophe Rousset, Sir Roger Norrington, Kent Nagano, Fabien Gabel, Jérémie Rhorer and the late AlanĬurtis among others. She has sung with the world’s leading symphony orchestras, including the Orchestre Symphonique de Montréal, the San Francisco Symphony, the Chicago Symphony, the New York Philharmonic and the Rotterdam Philharmonic, as well as Baroque orchestras such as Les Talens Lyriques, the Venice Baroque Orchestra, Le concert de la Loge, Accademia Bizantina, Il Complesso Barocco, Freiburger Baroque Orchestra, the Tafelmusik Baroque Orchestra and Les Violons du Roy. Recognized for her work in the Baroque repertoire, Canadian soprano Karina Gauvin sings Bach, Mahler, Britten and the music of the 20th andĢ1st centuries with equal success.
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